Design-build audiovisual for Arlington offices, industry, restaurants, and civic rooms, built to a DFW standard and cleared through Arlington's own review.
Arlington is a genuine paradox: one of the largest cities in the country with no real downtown, sitting squarely between Dallas and Fort Worth and claimed by neither. Its commercial life spreads along the highway corridors, the entertainment district, the office parks, and one of the biggest industrial districts in the nation. Here's what trips people up: the businesses here think of themselves as DFW. Their customers are metroplex-wide, their headquarters might sit in Dallas, their competitors are everywhere. The building itself, though, the permits, the inspectors, the code review, is pure Arlington, a separate big city with its own rules that isn't Dallas and isn't Fort Worth. Buy AV like you're in Dallas, and Arlington will remind you where you actually are.
So we design to the DFW standard your customers expect and execute to the Arlington reality your project actually lives in. That means rooms that look and perform like the metroplex-scale spaces your people benchmark against, delivered through Arlington's own permitting and inspection, with North Texas weather engineered in from the start. We take the local side off your plate so the metroplex ambition doesn't stall at a city counter that plays by its own rules. From there the craft is steady: plans a contractor can price straight off, a rack we build and burn in ourselves, then a clean install, tuning, hands-on training, and documentation the next manager can lean on, backed by support that mostly settles from our end. Since 2008.
What We Do Here
Every system is designed, installed, and supported by our own team in Arlington — never subcontracted.
01 / ARLINGTONAV consulting from an audio visual consultant who joins at the architectural phase, designs the technology into the plan and steers the project around your business outcome.
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02 / ARLINGTONCommercial sound system design and installation: multi-zone audio engineered around how your space is used, wired and tuned on site, and supported as a partner.
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Commercial video walls across LED, LCD and Direct View. Designed, integrated, installed and supported by a national design-build AV integrator.
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Design-build digital signage for hospitality and enterprise: commercial displays, content management, and installation that keeps your screens selling and current.
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Spaces we've wired across Arlington — each built and supported by the same local crew.
Downtown and UTA, the entertainment district and the Great Southwest, Cooper Street and Arlington Highlands, Grand Prairie and Mansfield.
Spring supercells drop hail that cracks and dents outdoor gear, so anything mounted outside gets shielded and picked to survive the hits.
Tornado season sends straight-line gusts through the metroplex, so exterior mounts and enclosures get built to hold in real wind rather than a calm afternoon.
A North Texas ice storm puts real weight on a mount and works seals loose, so exterior gear is picked for the load and the freeze together.
Triple-digit summers bake equipment rooms while the storms bring lightning, so cooling for the rack and solid grounding and surge protection are non-negotiable here.
What we do here
Four kinds of buyers drive our Arlington work, and all of them benchmark against the wider metroplex.
Some of the region's heaviest industry sits right here. The Great Southwest District straddling Arlington and Grand Prairie is one of the largest industrial and distribution zones in the country, and the auto-assembly and manufacturing base adds more. These buildings need AV built for work: paging and background audio that carry across a plant floor over machine noise, front offices that hold a video call, and training rooms a rotating crew can run. We tune the paging so a floor-wide page is as clear at the loading dock as at the front desk, keep the meeting spaces simple enough for shift workers, and document every room so the next facilities hire isn't guessing. Multi-building operators get one standard across the whole site. It's the unglamorous backbone of how DFW makes and moves goods, and it has to run every shift.
The office base here buys to a metroplex standard. Corporate floors, regional offices, and back-office operations expect rooms that match what their people see across DFW, so good enough for Arlington isn't the brief, as good as Dallas is. We give a floor one consistent way to start a meeting, confirm the platforms a team actually runs on, and standardize the controls so every room behaves the same. The documentation goes to whoever will actually maintain it, matched to what's on the wall. The rooms have to look considered and simply work, because these buyers compare notes across the whole metroplex, and a room that underperforms gets noticed fast. That's a bar we're happy to hold, and it's most of what a corporate client here is really paying for.
Arlington's dining runs from the entertainment-district crowds to the neighborhood rooms along Cooper Street and downtown by the university. The venue-district spots swing hard, quiet on an off night and packed when the district fills, so audio has to hold a conversation and still carry over a crowd, zoned so a bar stays off the tables. College-side rooms near UTA run younger and louder and need systems that take a beating. Screens go where a Texas sports crowd will absolutely be watching. Across all of it, the room has to sound right on a slow Tuesday and hold together on a packed game day, off one system the staff can run themselves. We build the AV, and where a venue runs a live event, we set the connections and leave the show to their crew.
Public work here means the city, UT Arlington, the school district, and the libraries, all buying on bids. The measure never changes: someone in the back row hears the whole meeting or the money was wasted, which puts the microphone and gain plan ahead of the speaker count. University lecture and event rooms get built so any instructor can run them on the first try, class after class. Controls get sized for the staffer who runs the room, not a technician who won't be there, and bid and records rules get met exactly as written. Rooms that stream get the outlet designed in while the broadcast stays your team's job. Public work rewards patience and clean paperwork, which is how we operate.
It changes the paperwork, not the standard. Your market really is DFW, your customers and competitors are spread across the metroplex, and the room should absolutely meet that expectation, since nobody wants a space that feels a step behind Dallas. What changes is that the actual project lives entirely in Arlington. This is one of the largest cities in the country, with a building department, inspectors, and code interpretations all its own, and it doesn't defer to Dallas or Fort Worth on any of it. Companies used to permitting a Dallas project are sometimes surprised that Arlington runs its own everything on its own timeline. We design the room to the metroplex standard your people expect and handle the Arlington side, the correct submittal, the right inspectors, the North Texas weather engineering, so the DFW ambition doesn't stall at a local counter. Crunchy Tech has been doing this since 2008, and knowing both the metro expectation and the local reality is most of the job here.
A fair amount, because North Texas throws the full menu at anything mounted outside. Spring is hail season, and supercell hail cracks and dents equipment that wasn't shielded for it, so exterior gear gets chosen and protected to survive a real storm. Tornado season and straight-line winds come with it, so outdoor mounts and enclosures get anchored for actual force rather than a calm day. Winter brings ice storms that load a mount with weight and work seals loose, so hardware gets rated for the freeze as much as the heat. Summer runs long and triple-digit, which cooks an equipment closet with no cooling and invites the lightning that finds anything not properly grounded. None of it is exotic once you build for this climate on purpose, but skip it and the replacements start the first bad spring. We'd rather engineer for the weather Arlington actually gets than warranty around it every year.
Different rules at every stop, because the Mid-Cities are a dense patchwork of separate governments. Arlington, Grand Prairie, Mansfield, and the HEB cities each keep their own building department and inspectors, so a location a few minutes down the highway can mean a whole new approval track no matter what cleared before. Texas doesn't hand you a statewide shortcut the way some states do, so each city's process stands on its own. Managing that patchwork is our job, not yours: the correct filings city by city, and a straight answer on timing when an office runs slow, so all you get back is a date you can schedule around. The way your crew runs the rooms doesn't change from city to city, one control layer and one startup, so a transfer never means relearning the AV. You operate across a handful of Mid-Cities governments as one business, and shouldering that permitting load is a big part of what hiring an integrator buys you.
The permanent AV, yes. The show, no. With that much spectacle within a few miles, people reasonably assume every local AV company runs events, and we don't. We design and install the AV a venue or a hospitality space lives on year-round, the sound, the video, the control, the wiring in the walls. We do not book talent, we do not mix live shows, and we do not do production camera work. What we do is make the room easy to plug into, so whichever crew handles an event finds the connection points and house systems ready and waiting. When the event loads out, you still have a space that does its ordinary job. If it's a show or a live event you need run, that's a different trade, and we'll gladly refer you to it. If it's the AV backbone the whole thing connects to, that's our work, start to finish.
Client successes drive Crunchy Tech to become better. Below is how our customers feel about us.
Just do it. Spend the money. It’s well worth it. It’s not worth your time, hassle, energy, and stress of trying to make it look right and do it right when there’s somebody who has been doing it for years and has perfected the craft.
You're a great partner with Florida Hospital and this project will make a difference in Children's Health.
Working with Crunchy Tech was a fantastic experience from start to finish. They handled the sale and installation of all our sound and TV equipment at The County Bar in Aviston, IL, and absolutely nailed it. We were on a very tight deadline, and they not only met it—they delivered top-notch quality and service the entire way. Highly professional, responsive, and easy to work with. We couldn't be happier with the results.
Crunchy's AV Services are outstanding. Staff members are experts, who really extend themselves to find the right technology for helping us reach our marketing goals in creative ways. The best thing about working with Crunchy is collaborating with the staff – they are patient, responsive, knowledgeable, and available.
Crunchy has been great to work with. They communicate well and deliver as promised.
The work Crunchy has been doing is a game changer for this industry.
Being able to reuse the existing structure created a much lower cost for the client and they were ecstatic.
Crunchy has done an amazing job on our A/V install. The sound is perfectly balanced throughout our many zones and the entire system is super simple to use.
Just do it. Spend the money. It’s well worth it. It’s not worth your time, hassle, energy, and stress of trying to make it look right and do it right when there’s somebody who has been doing it for years and has perfected the craft.
You're a great partner with Florida Hospital and this project will make a difference in Children's Health.
Working with Crunchy Tech was a fantastic experience from start to finish. They handled the sale and installation of all our sound and TV equipment at The County Bar in Aviston, IL, and absolutely nailed it. We were on a very tight deadline, and they not only met it—they delivered top-notch quality and service the entire way. Highly professional, responsive, and easy to work with. We couldn't be happier with the results.
Crunchy's AV Services are outstanding. Staff members are experts, who really extend themselves to find the right technology for helping us reach our marketing goals in creative ways. The best thing about working with Crunchy is collaborating with the staff – they are patient, responsive, knowledgeable, and available.
Crunchy has been great to work with. They communicate well and deliver as promised.
The work Crunchy has been doing is a game changer for this industry.
Being able to reuse the existing structure created a much lower cost for the client and they were ecstatic.
Crunchy has done an amazing job on our A/V install. The sound is perfectly balanced throughout our many zones and the entire system is super simple to use.
We don’t sell you what we have. We design what you need. That line is the operating principle I’ve built Crunchy Tech around for the last 20 years. And it’s the single sentence that separates us - and the small handful of firms like us - from the other 97% of the commercial AV industry.
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There’s a pattern I’ve watched play out for 20 years in hospitality AV, and it always ends the same way...
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"Where's my quote?"
Read article arrow_forwardTell us the room, who it has to impress, and where it actually sits, because in Arlington the metroplex sets the expectation and the city sets the rules. We start with the outcome, take the room's dimensions and its weather exposure during the walk, and deliver a scope engineered to a DFW standard and ready to clear Arlington's review.
